1 NIV 3 And God said, “Let there be light,” and there was light. 4 God saw that the light was good, and he separated the light from the darkness. 5 God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. 6 And God said, “Let there be a vault between the waters to separate water from water.” 7 So God made the vault and separated the water under the vault from the water above it. And it was so. 8 God called the vault “sky.” And there was evening, and there was morning—the second day. 12 The land produced vegetation: plants bearing seed according to their kinds and trees bearing fruit with seed in it according to their kinds. And God saw that it was good. 13 And there was evening, and there was morning—the third day. 16 God made two great lights—the greater light to govern the day and the lesser light to govern the night. He also made the stars. 17 God set them in the vault of the sky to give light on the earth, 18 to govern the day and the night, and to separate light from darkness. 21 So God created the great creatures of the sea and every living thing with which the water teems and that moves about in it, according to their kinds, and every winged bird according to its kind. And God saw that it was good. 31 God saw all that he had made, and it was very good. And there was evening, and there was morning—the sixth day. Genesis 2 NIV Thus the heavens and the earth were completed in all their vast array. 2 By the seventh day God had finished the work he had been doing; so on the seventh day he rested from all his work. 3 Then God blessed the seventh day and made it holy, because on it he rested from all the work of creating that he had done.
Jay Borilla
Jay Borilla is a 3rd year student filmmaker from the UP Film Institute of UP Diliman. Born on May 20, 2003 under a conservative and fanatically religious household, he aims to leverage filmmaking to break free from the stifling conditions of his upbringing and create films that are as liberated as how he aspires himself, and other suppressed individuals and communities, to be. Since 2023, he has worked on numerous film productions, including his own and with fellow student filmmakers. His films highlight the potential of low-budget experimental films to foster larger-than-life stories that break free from the conventional constraints of standard narrative films. His own notable works include milk (2024) and genesis (2024), wherein the latter has bagged the Best Experimental Film award in FEU Film Society’s Sinepiyu 17 Interschool Film Festival. Both of which delve into a multiplicity of intrapersonal spaces depicted through very strong themes, visuals and editing, and soundscapes.
