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I, the Housewife

I, the Housewife

Renata Poljak 1996 5 min Croatia

Ja kucanica

Ja, domaćica – Renata Poljak

The surreal dimension of I, the Housewife! is fascinating: a women, wearing a diving suit under water, is performing the usual chores – cleaning, ironing – and the persistence to complete them results in an extremely absurd situation. The prescription of behavior, inexorability of forms given, has been questioned.

Deliberately manipulating the clichés, and masking various situations, Renata Poljak plays with the dominant social stereotypes, although seemingly accepting them. The important determinants of her work are various experience of bodily motion, and the contradictions associated to them – absence of purpose and impossibility to move forward.

— excerption of a text by Ana Devic
(Produced with help of Ivo Dekovic, 1996)

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Renata Poljak

Renata Poljak (b. 1974, Split) graduated from the Academy of Fine Arts in Split and received her Master’s degree in Nantes. Her practice encompasses video, film, photography, neon, drawing, and installation, exploring the relationship between the personal, the social, and the historical. She has exhibited at the Centre Pompidou (2010) and Palais de Tokyo (2012), while her solo exhibition Uncertain Memories in New York (2013) was featured in the Village Voice. She received the T-HT Award in 2012. Her film Porvenir won five awards and was selected among the Top 5 films at Oberhausen in 2020. Her debut feature Šume, šume received awards in Belgrade (2024) and at the Croatian Film Days (2025).